sábado, 23 de julio de 2016

Kathleen Gilje


Gilje nació en Bay Ridge, Brooklyn en 1945. Recibió su BFA en el City College of New York y se formó como conservadora en el Museo di Capodimonte en Nápoles, Italia. Gilje fue aprendiz en Roma con el restaurador de pinturas antiguas, Antonio Demata de 1966 a 1968, continuando su aprendizaje de 1968 a 1972 en el Museo de Capodimonte en Nápoles.
Obras en colecciones de museos:
National Portrait Gallery, Smithsonian,Washington, D.C.
Addison Gallery of American Art, Phillips Academy, Andover, MA
Musée Ingres, Louvre Museum, Montauban, France
The Granary, Collection of Melva Bucksbaum and Raymond Learsy, Sharon, CT
Joslyn Art Museum, Omaha, NE
Weatherspoon Art Museum, University of North Carolina , Greensboro, NC
National Museum of Women in the Arts, Washington, D.C.
Yale University Art Gallery, New Haven, CT
Williams College Museum of Art, Williamstown, Massachusetts
Hood Museum of Art, Dartmouth College, Hanover, NH
The Ulrich Museum of Art, Wichita State University, Wichita, KS
Bass Museum, Miami, FL
Exposiciones individuals:
2015 Hostetter Arts Center, “Kindred Spirits”, with artist Robert Lobe, Basking
Ridge, NJ (Nov. 2-Dec. 9, 2015)
2015 Grounds for Sculpture, “Robert Lobe: In the Forest Drawn of Metal Featuring
Forest Projects”, Collaborative Works with Robert Lobe and Kathleen Gilje,
Hamilton, NJ (April 18 – Jan 17, 2016)
2014 “Revised and Restored,” Flint Institute of Arts, May 3- July, Flint, MI
“Kathleen Gilje,” Francis Naumann Fine Art, Jan 31st-March 8th, New York, NY
2013 “Revised and Restored,” Bruce Museum, May 11-Sept 9, 2013, Catalogue,
Essays by Peter Sutton, John Yau, Linda Nochlin, Robert Rosenblum, interview
by Francis Naumann, Greenwich, CT
2009 “Kathleen Gilje: 48 Portraits, Sargent’s Women, Restored,” Francis Naumann
Fine Art, Essay by John Yau, New York, NY, February 26- April 10
2006 “Curators, Critics and Connoisseurs of Modern and Fine Art,” Francis Naumann
Fine Art, catalogue by Robert Rosenblum, New York, NY, April 5 – May 24
“Likeness and Beyond: Portraits,” Texas Gallery, Houston, TX, January 24 –
 February 25
2005 “New Work, Kathleen Gilje”, Doug Udell Gallery, Vancouver, Canada, April 2 -
16
“New Work, Kathleen Gilje”, Doug Udell Gallery, Edmonton, Canada, March 15
- 29
2003 “Susanna and the Elders, Restored” The Hood Museum, Dartmouth College,
NH, (April 20-Oct. 5)
2002-
2003 “Kathleen Gilje/Robert Lobe,” Texas Gallery, Houston, TX (Dec. - Jan.)
2001-
2002 “Seeing Through the Past: On Kathleen Gilje’s Susanna and the Elders
Restored”, The National Museum of Women in the Arts”, Washington D.C. (18
Oct. 2001- 21 Jan. 2002) catalog essay by Laura Cottingham,
2001 Gorney Bravin + Lee, New York, NY (7 Sept. - 6 Oct.)
2000 "The Ingres Drawings: Restored," Bernard Toale Gallery, Nov.1 – 25, Boston,
MA
"The Inner Portrait," Gorney Bravin + Lee, Project room: Jan 8 – Feb 5, New
York, NY
1999 “Recovering Lost Fictions: Caravaggio’s Musicians,” Collaboration with Joseph
Grigely, Revolution Gallery, Oct.-Nov. (cat.), Detroit, MI
1998 “Recovering Lost Fictions: Caravaggio’s Musicians”(collaboration with Joseph
Grigely) Bravin Post Lee Gallery, Feb. (cat.), New York, NY
1997 “Artworks: Kathleen Gilje, Contemporary Restorations,” Williams College Art
Museum, Williamstown, MA April-Aug. catalogue by Amy Oliver
 “Recovering Lost Fictions: Caravaggio’s Musicians” (collaboration with Joseph
Grigely) The List Visual Arts Center at MIT, Oct-Dec. (cat.), Cambridge, MA
“Restoring New Meaning,” Bernard Toale Gallery, Oct., Boston, MA;
1996 Bravin Post Lee Gallery, Sept. - Oct., New York, NY
1995 Bernard Toale Gallery, Oct., Boston, MA
1989 University of Rochester, Hartnett Gallery, Rochester, NY
1982 Siegal Contemporary Art, New York, NY
1978 55 Mercer Street, New York, NY
Fuentes:
Nota: La propiedad intelectual de las imágenes que aparecen en este blog corresponde a sus autores y a quienes éstos las hayan cedido. El único objetivo de este sitio es divulgar el conocimiento de estos pintores, a los que admiro, y que otras personas disfruten contemplando sus obras.

















































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